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Theme Development

For both the IGCSE and IB coursework you will be working thematically.  Most students find the challenge very rewarding and take full advantage of exploring their own interests and expressing themselves.  However, choosing a theme may be more difficult than it sounds.  A good approach is this simple 3 step process: 

Brainstorm

Evaluate

Narrow it Down

Begin by brainstorming and arranging as many ideas for your project as you can think.  If you start with a mind-map, treat it with some creativity.  Here are some great ways to get started: mind-maps with spice

 

Or you may simply list our your starter ideas like this..

•landscapes • figure studies • portraits • the natural or man-made environment • still-life • artefacts• abstract notions or feelings • personal experiences • visual ideas inspired by literary sources, culture
 

Then you could write down all subjects, themes, places, things, activities or issues that are personally relevant and that matter to you (even random, unexpected things, such as a the art room sink, or old knives and forks in your kitchen drawer). The purpose of any artwork is to communicate a message - to comment or scream or sing about the world in which we find ourselves in. If there is no emotion behind the work, there is no driving force – nothing to direct and shape your decision making.

 

Write down the things that you care about: this should include things that move you.Include topics that are unusual, challenging, controversial, gritty or inspiring: those that fill you with passion. Students who select substantial, heartfelt issues that they really believe in are more likely to achieve great results than those who choose aesthetically pleasing but superficial subjects. A tried and true subject can still be approached in an individual and innovative way, but choosing a topic that is novel and fresh has certain advantages. Strong, contentious issues are those which the assessors themselves have a reaction to; they provoke an emotive response. Such topics make the markers and moderators sit up and take notice: it gives them ample opportunity to see the merit within your work.
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

Next, evaluate your list of ideas and be sure that the topic you choose is something that you really care about and it can sustain your interest for the year. Eliminate those which are ‘cheesy’ (i.e involving pink hearts and Brad Pitt), insincere (i.e. a theme of 'World Peace’, when really this is something you couldn’t care less about) and overly “pretty” or lacking in substance (i.e. bunches of roses). This doesn’t mean that a traditionally ‘beautiful’ subject cannot be successful, (see the cupcake example below), but think carefully before proceeding with such a topic.

Eliminate those subjects which you are unable to explore first-hand.  In order to create artworks, you will need access to high quality imagery. For example, if you are exploring the way in which humans kill animals in order to consume their meat, access to the inside of a butchery or abattoir/freezing works is likely to be essential. Reliance on photographs taken by others is rarely a good idea. No matter how awesome a theme appears, if you are unable to explore any aspect of it firsthand, it is very unlikely that you will be able to do the topic justice. Remember that you will likely need to return to your source imagery several times during your high school course, so a submission based upon a particular plant that only blooms for a couple of weeks out of the year or a view of your village during a rare winter snow storm is very risky. The ideal thematic subject is one that you can physically return to, whenever you need – to draw, photograph or experience first-hand.

 

Remove the topics for which the source material is excessively simple.   You want variety in your subject matter, something that offers visual information. A small pile of cardboard boxes, for example, might inspire a great drawing, but if this is the starting point for an entire year’s coursework, the straight lines, rectangular forms and flat box surfaces are unlikely to provide enough visual variety to explore for months on end. Overly busy source material, on the other hand, is not an issue – it is much easier to simplify form and detail than it is to add back in.

Eliminate topics which are common or over-done (unless you have an original way of approaching this topic). It doesn’t matter if some others have explored the same topic as you… With the millions of people in the world, it is highly unlikely that you will be the only one to explore a particular theme (in fact, this is beneficial, as you can learn from others…and no one will make art exactly like you), but, if EVERYONE is doing it – if it is a topic that the examiners have seen a hundred times before, you should think carefully about whether you have something sufficiently new and original to say about it.

       

Now, narrow it down by selecting which topics you feel the most confident about. 


Finally, evaluate again which topic has the most potential?  Ensure that the topic you choose is something that you really care about and which can sustain your interest for a year. If you have more than one topic left on your list, pick the thing that you care about the most.

animal consume.jpeg

This student has used provocative imagery to explore the contentious issues surrounding human consumption of animal flesh. 

hurt.jpeg

This emotive final piece, exploring a topic of self-harm, is rich and raw with emotion. Based upon a student’s dream, there is a gutsy honesty to the work.

cupcakes.jpeg

Sometimes even ‘pretty’ objects can be explored in a contemporary and innovative way, as in this mixed media cupcake work

Keep in mind, broad themes can be narrowed down while specific themes will need to link and layer ideas to show progression of thought.

How to Choose a GREAT topic 

art-project-ideas-flowchart.jpg

Here is a short list of possible

themes to get you started..

Aboriginal and native art

Abandoned places

Advertising/Consumption and Consumerism

Rich world vs Poor world

Ageing, old and new, decay and change

Animals

Art & Words

 

Beauty - The beauty myth, Self-image

Beautiful vs Ugly

Bullying

Book illustration and text

 

Casting Shadows

Colour and mood

Camouflage

Cubism

Carnival and Celebration

Culture Patterns, objects, traditions: 

  eg: Africa, Asia. Japan

Collections

Contrasts

 

Dance

Decay

Distortions

Dream/Surrealism

Design eg. clothes/shoes/campaign poster

Depression/Fragility

 

Equality

Emotions

 

Fear and Nightmares Environment

Faces and Features

From Natural to Abstraction

Fantasy

Fragile things

Family

Flowers and plants

 

Graffiti/Murals/Protest messages

Heroes/Heroines 

 

Identity

Inside out

Insects/butterflies in nature

Impressionism /light in painting

Illustrate a story

Landscapes

Landscapes of the mind,

  loneliness, loss

Light/dark

Masks

Magnification and macro

Memory

Music

Mirrors/reflection

Money /inequality

Metamorphosis/change

Money

Myths and Legends/Magic

Nature

New/old

 

On a Shelf

Opposites

Out of Place

Ordinary vs extraordinary

Paradise

Patterns

  eg. patterns in nature/repeat patterns/

         rotational patterns
Pets

Planets/Save the planet/Space

Pop Art and Comics

People

Portrait

Rich world-vs-poor world
Reclaim

Reflections

Realism/Surrealism

Refugees/War

Safety

Seashore

Seasons

Stories and storytelling

Symbolism

Seven Deadly Sins

Self-portrait

Self-image

Secrets/a secret place

Still-life

 

Texture

Time and Space

Time-lapse/freeze frame/movement

Transformation

Travel

Tropical vegetation/Jungles

Trash and/or treasure

Through a Window

 

Ugly/beautiful

Under water

Urban Forest

 

Vegetables and Fruit

 

Washed-up, things found on a beach

World within a world

Women in Art

 

Zeitgeist

Zenith

Zoom-in/Close-up

Zodiac

A more comprehensive list

of possible themes..

Below is a large list of artists organized by themes.  For portions of the list you can click on the artists'

name for examples of their work.  Do not limit yourself to the names below as they are only a portion of possibilities.  Use this list to further inspiration and develop your own ideas.

Alphabets

 

Altered Books

 

Animals in Art

 

Art & Words

 

Artists with Autism

 

Assemblage

 

Architects

 

Bicycles

 

Black Artists

 

Buildings

 

Coastal Scenes

 

Churches & Graveyards

 

Cityscapes

 

Close-Ups

 

Collage

 

Collections

 

Colour

 

Compositions

 

Cultures

 

Dance

 

Death

 

Detail

 

Diagrams

 

Emotions

 

 

Every Day Objects

 

Fairy Tales

 

Family

 

Fantasy Landscapes

Fashion Designers

 

Fish

 

Flowers

 

Food Art

 

Hands

 

Hispanic Heritage Artists

 

Human Figure / Form

 

Identity

 

Illustration

 

Installations

 

Insects

 

Interiors

 

Isolation

 

Landscapes

(See Also Cityscape & Seascape)

 

Machinery

 

Maps

 

Mark Making

 

Mayan Art

Mental Health

 

Microbiology Art

 

Miniature

 

Mixed Media

 

Monoprinting Artists

 

Mosaic Artists

 

Movement In Art

 

Music

Narrative Art / Telling Stories

 

Nature/Natural Forms

 

Night Time

 

Nostalgia

 

Numbers

​Paper Artists 2D & 3D

 

Pattern

 

People At Work

 

Portraits

 

Print Makers

 

Recycling

 

Reflections

 

Relief

 

Robots

 

Science

 

Self Portraits

 

Shelter

 

Shoes

 

Skulls Bones & Anatomical

 

Social Issues / Messages About Society

 

Still-Life

 

Surfaces

(See also ‘Texture’)

 

Surroundings

 

Suspended

 

Textiles

 

Texture

 

Trees

 

Water

 

War

 

Weather

 

Wire Artists

For more examples of student work and theme ideas, click here.

Citing Sources

PDF File Download

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