Theme Development
For both the IGCSE and IB coursework you will be working thematically. Most students find the challenge very rewarding and take full advantage of exploring their own interests and expressing themselves. However, choosing a theme may be more difficult than it sounds. A good approach is this simple 3 step process:
Brainstorm
Evaluate
Narrow it Down
Begin by brainstorming and arranging as many ideas for your project as you can think. If you start with a mind-map, treat it with some creativity. Here are some great ways to get started: mind-maps with spice
Or you may simply list our your starter ideas like this..
•landscapes • figure studies • portraits • the natural or man-made environment • still-life • artefacts• abstract notions or feelings • personal experiences • visual ideas inspired by literary sources, culture
Then you could write down all subjects, themes, places, things, activities or issues that are personally relevant and that matter to you (even random, unexpected things, such as a the art room sink, or old knives and forks in your kitchen drawer). The purpose of any artwork is to communicate a message - to comment or scream or sing about the world in which we find ourselves in. If there is no emotion behind the work, there is no driving force – nothing to direct and shape your decision making.
Write down the things that you care about: this should include things that move you.Include topics that are unusual, challenging, controversial, gritty or inspiring: those that fill you with passion. Students who select substantial, heartfelt issues that they really believe in are more likely to achieve great results than those who choose aesthetically pleasing but superficial subjects. A tried and true subject can still be approached in an individual and innovative way, but choosing a topic that is novel and fresh has certain advantages. Strong, contentious issues are those which the assessors themselves have a reaction to; they provoke an emotive response. Such topics make the markers and moderators sit up and take notice: it gives them ample opportunity to see the merit within your work.
Next, evaluate your list of ideas and be sure that the topic you choose is something that you really care about and it can sustain your interest for the year. Eliminate those which are ‘cheesy’ (i.e involving pink hearts and Brad Pitt), insincere (i.e. a theme of 'World Peace’, when really this is something you couldn’t care less about) and overly “pretty” or lacking in substance (i.e. bunches of roses). This doesn’t mean that a traditionally ‘beautiful’ subject cannot be successful, (see the cupcake example below), but think carefully before proceeding with such a topic.
Eliminate those subjects which you are unable to explore first-hand. In order to create artworks, you will need access to high quality imagery. For example, if you are exploring the way in which humans kill animals in order to consume their meat, access to the inside of a butchery or abattoir/freezing works is likely to be essential. Reliance on photographs taken by others is rarely a good idea. No matter how awesome a theme appears, if you are unable to explore any aspect of it firsthand, it is very unlikely that you will be able to do the topic justice. Remember that you will likely need to return to your source imagery several times during your high school course, so a submission based upon a particular plant that only blooms for a couple of weeks out of the year or a view of your village during a rare winter snow storm is very risky. The ideal thematic subject is one that you can physically return to, whenever you need – to draw, photograph or experience first-hand.
Remove the topics for which the source material is excessively simple. You want variety in your subject matter, something that offers visual information. A small pile of cardboard boxes, for example, might inspire a great drawing, but if this is the starting point for an entire year’s coursework, the straight lines, rectangular forms and flat box surfaces are unlikely to provide enough visual variety to explore for months on end. Overly busy source material, on the other hand, is not an issue – it is much easier to simplify form and detail than it is to add back in.
Eliminate topics which are common or over-done (unless you have an original way of approaching this topic). It doesn’t matter if some others have explored the same topic as you… With the millions of people in the world, it is highly unlikely that you will be the only one to explore a particular theme (in fact, this is beneficial, as you can learn from others…and no one will make art exactly like you), but, if EVERYONE is doing it – if it is a topic that the examiners have seen a hundred times before, you should think carefully about whether you have something sufficiently new and original to say about it.
Now, narrow it down by selecting which topics you feel the most confident about.
Finally, evaluate again which topic has the most potential? Ensure that the topic you choose is something that you really care about and which can sustain your interest for a year. If you have more than one topic left on your list, pick the thing that you care about the most.
This student has used provocative imagery to explore the contentious issues surrounding human consumption of animal flesh.
This emotive final piece, exploring a topic of self-harm, is rich and raw with emotion. Based upon a student’s dream, there is a gutsy honesty to the work.
Sometimes even ‘pretty’ objects can be explored in a contemporary and innovative way, as in this mixed media cupcake work
Keep in mind, broad themes can be narrowed down while specific themes will need to link and layer ideas to show progression of thought.
How to Choose a GREAT topic
Here is a short list of possible
themes to get you started..
Aboriginal and native art
Advertising/Consumption and Consumerism
Ageing, old and new, decay and change
Beauty - The beauty myth, Self-image
Bullying
Book illustration and text
Casting Shadows
Colour and mood
Camouflage
Cubism
Carnival and Celebration
Culture Patterns, objects, traditions:
eg: Africa, Asia. Japan
Collections
Contrasts
Dance
Decay
Distortions
Design eg. clothes/shoes/campaign poster
Depression/Fragility
Equality
Emotions
Fear and Nightmares Environment
Faces and Features
From Natural to Abstraction
Fantasy
Fragile things
Family
Flowers and plants
Graffiti/Murals/Protest messages
Heroes/Heroines
Identity
Inside out
Insects/butterflies in nature
Impressionism /light in painting
Illustrate a story
Landscapes
Landscapes of the mind,
loneliness, loss
Light/dark
Masks
Magnification and macro
Memory
Music
Mirrors/reflection
Money /inequality
Metamorphosis/change
Money
Myths and Legends/Magic
Nature
New/old
On a Shelf
Opposites
Out of Place
Ordinary vs extraordinary
Paradise
Patterns
eg. patterns in nature/repeat patterns/
rotational patterns
Pets
Planets/Save the planet/Space
Pop Art and Comics
People
Portrait
Rich world-vs-poor world
Reclaim
Reflections
Realism/Surrealism
Refugees/War
Safety
Seashore
Seasons
Stories and storytelling
Symbolism
Seven Deadly Sins
Self-portrait
Self-image
Secrets/a secret place
Still-life
Texture
Time and Space
Time-lapse/freeze frame/movement
Transformation
Travel
Tropical vegetation/Jungles
Trash and/or treasure
Through a Window
Ugly/beautiful
Under water
Urban Forest
Vegetables and Fruit
Washed-up, things found on a beach
World within a world
Women in Art
Zeitgeist
Zenith
Zoom-in/Close-up
Zodiac
A more comprehensive list
of possible themes..
Below is a large list of artists organized by themes. For portions of the list you can click on the artists'
name for examples of their work. Do not limit yourself to the names below as they are only a portion of possibilities. Use this list to further inspiration and develop your own ideas.
Alphabets
Altered Books
Animals in Art
Art & Words
-
Caroline Dangerfield (see beach work)
Artists with Autism
Assemblage
Architects
Bicycles
Black Artists
Buildings
-
(See Also Cityscapes & Interiors)
Coastal Scenes
Churches & Graveyards
Cityscapes
Close-Ups
Collage
Collections
Colour
Compositions
Cultures
Dance
Death
Detail
Diagrams
Emotions
-
(See Still Life)
Every Day Objects
-
(See Still Life)
Fairy Tales
Family
-
Frederick Cotman (One of the Family)
-
Lisa Kokin (see her family photo work)
-
Marta Gottfried (We are sister)
Fantasy Landscapes
Fashion Designers
Fish
Flowers
Food Art
Hands
-
For a Great Pinterest Board on Hands – click here!
Hispanic Heritage Artists
Human Figure / Form
-
(see hands)
Identity
-
(See portrait artists)
-
Tomoko Sawada (Photography)
-
Cindy Sherman (Photography)
Illustration
-
Liselotte Watkins (Fashion Illustration)
-
Maurice Sendak (e.g. Where the Wild Things Are)
-
Aubrey Beardsley
-
Arthur Rackham
-
Raymond Briggs (e.g.The Snowman)
Installations
-
Damien Hirst
-
Doris Salcedo
-
Judy Chicago
-
Kurt Schwitters
-
Marcel Duchamp
-
Olafur Eliasson
-
Rachel Whiteread
-
Tracey Emin
Insects
Interiors
Isolation
Landscapes
(See Also Cityscape & Seascape)
Machinery
Maps
-
Nigel Peake
Mark Making
Mayan Art
Mental Health
Microbiology Art
Miniature
Mixed Media
Monoprinting Artists
Mosaic Artists
Movement In Art
Music
Narrative Art / Telling Stories
Nature/Natural Forms
Night Time
Nostalgia
Numbers
Paper Artists 2D & 3D
Pattern
-
Nigel Peake
-
Gustav Klimpt
-
Chris Offili
-
Sonia and Robert Delaunay>
-
William Morris
-
Hundertwasser
-
Klimt
-
Fred Tomaselli
People At Work
Portraits
-
(See Also Human Form)
-
Kris Trappeniers
-
Nick Gentry
-
Whistler (Whistlers mother)
-
Vermeer
-
Gwen John
-
Ford Madox Brown
-
Gainsborough
-
Max Beckman
-
Lowry
-
Chagall
-
Modigliani
-
Tom Philips
-
Martina Shapiro
Print Makers
-
Deborah Harris (Lino)
-
Robert Rauchenberg (screen printing)
Recycling
-
Michelle Stitzlein (Butterflys)
Reflections
Relief
Robots
Science
Self Portraits
-
A B Miner
-
Cindy Sherman (Photographer)
-
Yasumasa Moimura (Photographer)
-
Tomoko Sawada (Photographer)
-
John Coplans (Photographer)
-
Rembrandt
-
Lucian Freud
-
Francis Bacon
-
Henri Matisse
-
Picasso
Shelter
Shoes
Skulls Bones & Anatomical
Social Issues / Messages About Society
-
Kara Walker(Slavery)
Still-Life
Surfaces
(See also ‘Texture’)
Surroundings
Suspended
Textiles
-
Mr Finch (insects and animals)
Texture
Trees
Water
-
Van Gogh (Starry Night Over the Rhone)
-
Naomi Renouf (textiles)
War
Weather
Wire Artists
For more examples of student work and theme ideas, click here.